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[수입] 바흐 : 종교 칸타타 전집 [55SACD Hybrid 한정반]

바흐 (Johann Sebastian Bach) | 요시카즈 (Mera Yoshikazu) | 샘슨 (Carolyn Sampson) | 블레이즈 (Robin Blaze) | 스즈키 (Masaaki Suzuki) | 바흐 콜레기움 재팬 (Bach Collegium Japan) | 투르크 (Gerd Turk) | 쿠이 (Peter Kooij) | 노노시타 (Yukari Nonoshita) | 블라치코바 (Hana Blazikova) | BIS | 2016-04-12 | 원제 Bach : The Sacred Cantatas (SACD)

요한 세바스티안 바흐 : 종교 칸타타 전곡
재팬 바흐 콜레기움, 마사키 스즈키(지휘)
안나 블래치코바, 캐롤린 샘슨, 유카리 노노쉬타(소프라노)
로빈 블레이즈, 요시카즈 메라(카운터 테너)
게르트 튀르크, 마카토 사쿠라다(테너),
페터 코이(베이스)

* 전곡 SACD Hybrid
* 디스크 1~27의 오리지널은 일반CD 포맷이나 SACD로 리마스터링
* 음반 트랙과 순서는 낱장으로 발매된 오리지널 음반 그대로를 따르고 있다.
* 각각 슬립 케이스
* 클라우스 호프만의 종교 칸타타 해설, 트랙 리스트, 색인(영어, 독일어, 프랑스어) : 208페이지
* 칸타타 가사 텍스트 : (영어, 독일어) : 376페이지
* 녹음 장소 : 고베, 쇼인 여자 대학교 내 예배당


19여 년의 역사적인 레코딩!
본 전집물은 음악 평론가들의 찬사 속에 세계적인 명성을 받았을 뿐만 아니라 음악사적으로도 그들의 역사적, 음악적 접근은 길이 남을 유산이며, 말도 표현할 수 없는 깊은 신앙을 담고 있다.

바흐는 평생에 걸쳐 교회 예배를 위한 칸타타를 작곡하였으며, 그런 작품들은 대약 300곡에 이를 것으로 여겨진다. 바흐가 아른슈타트 교회의 오르간 연주자였을 그 당시부터 칭송 받았던 200곡은 여전히 현존하며 나머지는 1750년 그가 사망하기 한 두 해 전에 작곡 되어졌다. 1995년 스즈키가 바흐 칸타타 전곡 녹음을 한다고 했을 때 독일 음악사상 가장 중요한 인물의 작품을, 그것도 가장 종교적인 교회 작품을, 아시아인이 한다고 했을 때 많은 사람들이 의구심을 품었다. 그러나 지휘자 스즈키의 결심은 확고부동했으며 "바흐가 몸 바쳐 공경했던 신과 내가 숭배하는 신은 하나이다" 라고 말했다. 바흐 음악의 메시지는 국적이나 전통 문화에 관계없이 인간 마음을 감동시킨다는 확고한 신념으로 그는 재팬 바흐 콜레기움과 바흐의 발자취를 따라, 동일한 주요 성악가들, 연주자들, 한 레코딩 장소에서 19년 내내 한결 같은 성실함으로 레코딩해 왔다. 결국 그들은 그라모폰상 수상 후보으로 등극하는 등 세계적인 찬사를 받으며 초기에 우려했던 일부의 염려는 기우에 불과했고 걱정했던 이들은 매우 부끄럽게 되었다.

이 레코딩을 통해 전세계적으로 알려진 요시카즈 메라를 포함해서 안나 블래치코바, 캐롤린 샘슨, 페터 코이, 게르트 튀르크 등 화려한 성악진이 오랜 세월 함께 했으며 일반CD 포맷인 1집부터 27집 까지의 오리지널 음반을 SACD로 리마스터링하여 보다 현장감 넘치는 사운드를 즐길 수 있다. 바흐가 젊은 시절 뜨거운 정열로 써놓았던 교회 칸타타의 모든 아름다움을 가장 매혹적인 최상의 음질과 연주로 감상하자.


* 세계적 권위의 주요 음반상 수상
Diapason d'Or and Diapason d'Or de l'Année (Diapason)
Choc and Choc de l'Année (Le Monde de la Musique)
10/10/10 (Klassik-Heute.de)
Disco Excepcional (Scherzo)
Recomendado (CD Compact)
Recording of the Month, Editor's and Critic's Choice (Gramophone)
Disc/Pick/Choice of the Month and Critic's Choice (BBC Music Magazine)
Recording of the Month (MusicWeb-International.com)
10/10 (ClassicsToday)
Record Academy Award (Ongaku no Tomo-sha)
Rosette (Penguin Guide)




■ 박스 색인
* Vol. 1~27은 SACD로 리마스터링 되었습니다.

Vol. 1
BWV 4 Christ lag in Todesbanden (BISCD 751)
BWV 150 Nach dir, Herr, verlanget mich (BISCD 751)
BWV 196 Der Herr denket an uns (BISCD 751)

Vol. 2
BWV 71 Gott ist mein König (BISCD 781)
BWV 106 Gottes Zeit ist die allerbeste Zeit (Actus Tragicus) (BISCD 781)
BWV 131 Aus der Tiefe (BISCD 781)

Gramophone Classical Music Guide, 2010
“Here these artists are abreast of current thinking concerning Baroque style, yet sometimes you find yourself longing for a little more expression and a little less fashionable orthodoxy. The three cantatas included here are among Bach's earliest essays in the form. Nos 106 and 131 (c1707) belong to the Muhlhausen period, while No 71 was written in 1708. By and large, Suzuki has chosen effective tempos, though there are notable exceptions. One of these affects the beautiful Sonatina for recorders and viola da gamba that introduces the Actus tragicus (No 106), a funeral piece of startling intensity.
Suzuki feels too slow here, adding a full 40 seconds on to performances by virtually all his rivals. Elsewhere, and above all in his choice of soloists, Suzuki fields an exceptional team. We can feel this especially in the effortlessly projected singing of Midori Suzuki (Nos 71 and 131) and Aki Yanagisawa (No 106), the uncluttered declamation of Gerd Turk, and the resonant contributions by Peter Kooij. The countertenor here lacks either conviction or consistent aural charm. The choir is well drilled and, as with the solo element, the voices respond urgently to the spirit of the text. Listen to the thrice supplicatory 'Israel' in the concluding chorus of No 131 for one such example.”

Vol. 3
BWV 12 Weinen, Klagen, Sorgen, Zagen (BISCD 791)
BWV 54 Widerstehe doch der Sünde (BISCD 791)
BWV 162 Ach, ich sehe, itzt, da ich zur Hochzeit gehe (BISCD 791)
BWV 182 Himmelskönig, sei willkommen (BISCD 791)

Vol. 4
BWV 163 Nur jedem das Seine (BISCD 801)
BWV 165 O heiliges Geist- und Wasserbad (BISCD 801)
BWV 185 Barmherziges Herze der ewigen Liebe (BISCD 801)
BWV 199 Mein Herze schwimmt im Blut (BISCD 801)

Vol. 5
BWV 18 Gleichwie der Regen und Schnee vom Himmel fällt (BISCD 841)
BWV 143 Lobe den Herrn, meine Seele (II) (BISCD 841)
BWV 152 Tritt auf die Glaubensbahn (BISCD 841)
BWV 155 Mein Gott, wie lang, ach lange (BISCD 841)
BWV 161 Komm, du süße Todesstunde (BISCD 841)

Gramophone Classical Music Guide, 2010
“The fifth volume of Bach's sacred cantatas performed by the Bach Collegium Japan continues their Weimar survey with five pieces written between c1713 and 1716. It begins with No 18, performed in its Weimar version ? Bach later revived it for Leipzig, adding two treble recorders to the purely string texture of the upper parts of the earlier composition. The scoring of No 152 is more diverse, featuring in its opening Sinfonia a viola d'amore, viola da gamba, oboe and recorder.
A conspicuous feature of No 155 is its melancholy duet for alto and tenor with bassoon obbligato. While the vocal writing sustains something of the character of a lament the wonderfully athletic, arpeggiated bassoon solo provides a magical third voice. The accompanying essay is confused here, emphasising the importance of a solo oboe which in fact has no place at all in this work. No 161 is a piece of sustained beauty, scored for a pair of treble recorders, obbligato organ, strings and continuo.
Bach's authorship of No 143 has sometimes been questioned. Much of it is un-Bachlike, yet at times it's hard to envisage another composer's hand.
The performances are of unmatched excellence.
Suzuki's direction never falters and his solo vocalists go from strength to strength as the series progresses. Suzuki makes a richly rewarding contribution with beautifully poised singing, a crystal-clear voice and an upper range that only very occasionally sounds at all threatened. Mera and Sakurada sustain a delicately balanced partnership in the elegiac duet of No 155, the limpid bassoon-playing completing this trio of outstanding beauty. Kooij is a tower of strength, a sympathetic partner to Suzuki in the dance-like duet between Jesus and the Soul (No 152), and resonantly affirmative in his aria from the same cantata. But the highest praise should go to Mera and Sakurada for their affecting performance in No 161. All the elements of this superb cantata are understood and deeply felt by all concerned. The disc is admirably recorded and, apart from the aforementioned confusion, painstakingly and informatively documented.”

Vol. 6
BWV 21 Ich hatte viel Bekümmernis (1720 version) (BISCD 851)
BWV 31 Der Himmel lacht, die Erde jubilieret (BISCD 851)

Gramophone Classical Music Guide, 2010
“Both of these are Weimar compositions, dating from c1713 and 1715 respectively, and both were later sung at Leipzig. Where No 21 is concerned, the performance history is complex since Bach, who clearly and understandably set great store by this extended and profoundly expressive piece, made no fewer than four versions of it. Following what was probably its second Weimar performance, in 1714, Bach produced a new version which he used as a testpiece in Hamburg's Jacobikirche, when applying for an organist's post there in 1720. It's this version, for soprano and bass soloists only, in which the parts are transposed from C minor to D minor that forms the basis of the present recording. Suzuki offers listeners an opportunity, by way of an appendix, of hearing Bach's alternative thoughts on certain sections of the cantata. These are meticulously prepared and affectingly declaimed performances. Listen, for instance, to the beautifully articulated and delicately placed bassoon quavers in the poignant opening Sinfonia of No 21. This is most sensitively done and an auspicious beginning to the work. String playing isn't always quite as clean as it could be but the instrumental expertise is impressive. The solo line-up is strong, with Monika Frimmer sustaining several demanding soprano arias with eloquence and tonal warmth.
Gerd Turk and Peter Kooij are secure and expressive, and the singing of the 18-voice choir of women's and men's voices is impressive, though tenors sound strained in the first chorus of No 21.”

Vol. 7
BWV 61 Nun komm, der Heiden Heiland (BISCD 881)
BWV 63 Christen, ätzet diesen Tag (BISCD 881)
BWV 132 Bereitet die Wege, bereitet die Bahn (BISCD 881)
BWV 172 Erschallet, ihr Lieder (BISCD 881)

Vol. 8
BWV 22 Jesus nahm zu sich die Zwölfe (BISCD 901)
BWV 23 Du wahrer Gott und Davids Sohn (BISCD 901)
BWV 75 Die Elenden sollen essen (BISCD 901)

Gramophone Classical Music Guide, 2010
“This eighth volume of Bach Collegium Japan's Bach cantata series bridges the period between Bach's departure from Cothen and his arrival at Leipzig, early in 1723. Du wahrer Gott und DavidsSohn (No 23) was mainly written at Cothen, while Jesus nahm zu sich die Zwolfe (No 22) must have been composed almost immediately on Bach's reaching Leipzig. The remaining cantata, Die Elenden sollen essen is on an altogether grander scale, in two parts, each of seven movements.
The performances maintain the high standards of singing, playing and scholarship set by the previous issues in this series. There are little insecurities here and there ? the oboes, which play a prominent role in each of the three pieces, aren't always perfectly in agreement over tuning ? but the careful thought given to the words, their significance and declamation, and the skill with which they're enlivened by the realisation of Bach's expressive musical vocabulary, remain immensely satisfying. The disciplined, perceptively phrased and beautifully sustained singing of the two choral numbers of No 23 illuminate the words at every turn, savouring the seemingly infinite expressive nuances of the music. As for No 75, we can only imagine the astonishment with which Leipzig ears must have attuned to its music. In this absolutely superb piece Bach entertains us with a breathtaking stylistic diversity.
Polyphony, fugue, chorale fantasia, da capo aria, instrumental sinfonia, varied recitative, wonderful oboe writing and a rhythmic richesse all contribute to the special distinction both of this cantata and No 76.
Lose no time in becoming acquainted with this one. It reaches, you might say, those parts that other performances do not.”

Vol. 9
BWV 24 Ein ungefärbt Gemüte (BISCD 931)
BWV 76 Die Himmel erzählen die Ehre Gottes (BISCD 931)
BWV 167 Ihr Menschen, rühmet Gottes Liebe (BISCD 931)

Vol. 10
BWV 105 Herr, gehe nicht ins Gericht mit deinem Knecht (BISCD 951)
BWV 179 Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei (BISCD 951)
BWV 180 Schmücke dich, o liebe Seele (BISCD 951)
BWV 186 Argre dich, o Seele, nicht (BISCD 951)

Vol. 11
BWV 46 Schauet doch und sehet, ob irgend ein Schmerz sei (BISCD 991)
BWV 95 Christus, der ist mein Leben (BISCD 991)
BWV 136 Erforsche mich, Gott, und erfahre mein Herz (BISCD 991)
BWV 138 Warum betrübst du dich, mein Herz (BISCD 991)

Vol. 12
BWV 21 Ich hatte viel Bekümmernis (1723 version) (BISCD 1031)
BWV 147 Herz und Mund und Tat und Leben (BISCD 1031)

Vol. 13
BWV 25 Es ist nichts Gesundes an meinem Leibe (BISCD 1041)
BWV 50 Nun ist das Heil und die Kraft (BISCD 1041)
BWV 64 Sehet, welch eine Liebe hat uns der Vater erzeiget (BISCD 1041)
BWV 69a Lobe den Herrn, meine Seele (BISCD 1041)
BWV 77 Du sollt Gott, deinen Herren, lieben (BISCD 1041)

Vol. 14
BWV 48 Ich elender Mensch (BISCD 1081)
BWV 89 Was soll ich aus dir machen (BISCD 1081)
BWV 109 Ich glaube, lieber Herr (BISCD 1081)
BWV 148 Bringet dem Herrn Ehre seines Namens (BISCD 1081)

Vol. 15
BWV 40 Dazu ist erschienen der Sohn Gottes (BISCD 1111)
BWV 60 O Ewigkeit, du Donnerwort (II) (BISCD 1111)
BWV 70 Wachet! betet! betet! wachet! (BISCD 1111)
BWV 90 Es reißet euch ein schrecklich Ende (BISCD 1111)

Vol. 16
BWV 119 Preise, Jerusalem, den Herrn (BISCD 1131)
BWV 194 Höchsterwünschtes Freudenfest (BISCD 1131)

Vol. 17
BWV 73 Herr, wie du willt, so schick’s mit mir (BISCD 1221)
BWV 144 Nimm, was dein ist, und gehe hin (BISCD 1221)
BWV 153 Schau, lieber Gott, wie meine Feind (BISCD 1221)
BWV 154 Mein liebster Jesus ist verloren (BISCD 1221)
BWV 181 Leichtgesinnte Flattergeister (BISCD 1221)

Vol. 18
BWV 66 Erfreut euch, ihr Herzen (BISCD 1251)
BWV 67 Halt im Gedächtnis Jesum Christ (BISCD 1251)
BWV 134 Ein Herz, das seinen Jesum lebend weiß (BISCD 1251)

Vol. 19
BWV 37 Wer da gläubet und getauft wird (BISCD 1261)
BWV 86 Wahrlich, wahrlich, ich sage euch (BISCD 1261)
BWV 104 Du Hirte Israel, höre (BISCD 1261)
BWV 166 Wo gehest du hin (BISCD 1261)

Vol. 20
BWV 44 Sie werden euch in den Bann tun (I) (BISCD 1271)
BWV 59 Wer mich liebet, der wird mein Wort halten (I) (BISCD 1271)
BWV 173 Erhöhtes Fleisch und Blut (BISCD 1271)
BWV 184 Erwünschtes Freudenlicht (BISCD 1271)

Vol. 21
BWV 65 Sie werden aus Saba alle kommen (BISCD 1311)
BWV 81 Jesus schläft, was soll ich hoffen (BISCD 1311)
BWV 83 Erfreute Zeit im neuen Bunde (BISCD 1311)
BWV 190 Singet dem Herrn ein neues Lied (BISCD 1311)

Vol. 22
BWV 7 Christ unser Herr zum Jordan kam (BISCD 1321)
BWV 20 O Ewigkeit, du Donnerwort (I) (BISCD 1321)
BWV 94 Was frag ich nach der Welt (BISCD 1321)

Vol. 23
BWV 10 Meine Seel erhebt den Herren (BISCD 1331)
BWV 93 Wer nur den lieben Gott lässt walten (BISCD 1331)
BWV 107 Was willst du dich betrüben (BISCD 1331)
BWV 178 Wo Gott der Herr nicht bei uns hält (BISCD 1331)

Vol. 24
BWV 8 Liebster Gott, wenn werd ich sterben (BISCD 1351)
BWV 33 Allein zu dir, Herr Jesu Christ (BISCD 1351)
BWV 113 Herr Jesu Christ, du höchstes Gut (BISCD 1351)

Vol. 25
BWV 78 Jesu, der du meine Seele (BISCD 1361)
BWV 99 Was Gott tut, das ist wohlgetan (II) (BISCD 1361)
BWV 114 Ach, lieben Christen, seid getrost (BISCD 1361)

Vol. 26
BWV 96 Herr Christ, der einge Gottessohn (BISCD 1401)
BWV 122 Das neugeborne Kindelein (BISCD 1401)
BWV 180 Schmücke dich, o liebe Seele (BISCD 1401)

Vol. 27
BWV 5 Wo soll ich fliehen hin (BISCD 1421)
BWV 80 Ein feste Burg ist unser Gott (BISCD 1421)
BWV 115 Mache dich, mein Geist, bereit (BISCD 1421)



Vol. 28
BWV 26 Ach wie flüchtig, ach wie nichtig (BISSACD 1451)
BWV 62 Nun komm, der Heiden Heiland (BISSACD 1451)
BWV 116 Du Friedefürst, Herr Jesu Christ (BISSACD 1451)
BWV 139 Wohl dem, der sich auf seinen Gott (BISSACD 1451)

Vol. 29
BWV 2 Ach Gott, vom Himmel sieh darein (BISSACD 1461)
BWV 3 Ach Gott, wie manches Herzeleid (I) (BISSACD 1461)
BWV 38 Aus tiefer Not schrei ich zu dir (BISSACD 1461)
BWV 135 Ach Herr, mich armen Sünder (BISSACD 1461)

Vol. 30
BWV 51 Jauchzet Gott in allen Landen! (BISSACD 1471)

Vol. 31
BWV 91 Gelobet seist du, Jesu Christ (BISSACD 1481)
BWV 101 Nimm von uns Herr, du treuer Gott (BISSACD 1481)
BWV 121 Christum wir sollen loben schon (BISSACD 1481)
BWV 133 Ich freue mich in dir (BISSACD 1481)

Vol. 32
BWV 111 Was mein Gott will, das g’scheh allzeit (BISSACD 1501)
BWV 123 Liebster Immanuel, Herzog der Frommen (BISSACD 1501)
BWV 124 Meinen Jesum lass ich nicht (BISSACD 1501)
BWV 125 Mit Fried und Freud ich fahr dahin (BISSACD 1501)

Vol. 33
BWV 41 Jesu, nun sei gepreiset (BISSACD 1541)
BWV 92 Ich hab in Gottes Herz und Sinn (BISSACD 1541)
BWV 130 Herr Gott, dich loben alle wir (BISSACD 1541)

Vol. 34
BWV 1 Wie schön leuchtet der Morgenstern (BISSACD 1551)
BWV 126 Erhalt uns, Herr, bei deinem Wort (BISSACD 1551)
BWV 127 Herr Jesu Christ, wahr’ Mensch und Gott (BISSACD 1551)

Vol. 35
BWV 74 Wer mich liebet, der wird mein Wort halten (II) (BISSACD 1571)
BWV 87 Bisher habt ihr nichts gebeten in meinem Namen (BISSACD 1571)
BWV 128 Auf Christi Himmelfahrt allein (BISSACD 1571)
BWV 176 Es ist ein trotzig und verzagt Ding (BISSACD 1571)

Vol. 36
BWV 6 Bleib bei uns, denn es will Abend werden (BISSACD 1611)
BWV 42 Am Abend aber desselbigen Sabbats (BISSACD 1611)
BWV 103 Ihr werdet weinen und heulen (BISSACD 1611)
BWV 108 Es ist euch gut, dass ich hingehe (BISSACD 1611)

Vol. 37
BWV 35 Geist und Seele wird verwirret (BISSACD 1621)
BWV 169 Gott soll allein mein Herze haben (BISSACD 1621)
BWV 170 Vergnügte Ruh, beliebte Seelenlust (BISSACD 1621)
BWV 200 Bekennen will ich seinen Namen (BISSACD 1621)

Vol. 38
BWV 52 Falsche Welt, dir trau ich nicht (BISSACD 1631)
BWV 55 Ich armer Mensch, ich Sündenknecht (BISSACD 1631)
BWV 58 Ach Gott, wie manches Herzeleid (II) (BISSACD 1631)
BWV 82 Ich habe genung (BISSACD 1631)

Vol. 39
BWV 28 Gottlob! nun geht das Jahr zu Ende (BISSACD 1641)
BWV 68 Also hat Gott die Welt geliebt (BISSACD 1641)
BWV 85 Ich bin ein guter Hirt (BISSACD 1641)
BWV 175 Er rufet seinen Schafen mit Namen (BISSACD 1641)
BWV 183 Sie werden euch in den Bann tun (II) (BISSACD 1641)

Vol. 40
BWV 79 Gott der Herr ist Sonn und Schild (BISSACD 1671)
BWV 137 Lobe den Herren, den mächtigen König der Ehren (BISSACD 1671)
BWV 164 Ihr, die ihr euch von Christo nennet (BISSACD 1671)
BWV 168 Tue Rechnung! Donnerwort (BISSACD 1671)

Vol. 41
BWV 56 Ich will den Kreuzstab gerne tragen (BISSACD 1691)
BWV 82 Ich habe genung (soprano version in E minor) (BISSACD 1691)
BWV 84 Ich bin vergnügt mit meinem Glücke (BISSACD 1691)
BWV 158 Der Friede sei mit dir (BISSACD 1691)

Vol. 42
BWV 13 Meine Seufzer, meine Tränen (BISSACD 1711)
BWV 16 Herr Gott, dich loben wir (BISSACD 1711)
BWV 32 Liebster Jesu, mein Verlangen (BISSACD 1711)
BWV 72 Alles nur nach Gottes Willen (BISSACD 1711)

Vol. 43
BWV 57 Selig ist der Mann, BWV57 (BISSACD 1761)
BWV 110 Unser Mund sei voll Lachens, BWV110 (BISSACD 1761)
BWV 151 Süßer Trost, mein Jesus kömmt (BISSACD 1761)

Vol. 44
BWV 43 Gott fähret auf mit Jauchzen (BISSACD 1791)
BWV 88 Siehe, ich will viel Fischer aussenden (BISSACD 1791)
BWV 146 Wir müssen durch viel Trübsal in das Reich Gottes eingehen (BISSACD 1791)

Vol. 45
BWV 39 Brich dem Hungrigen dein Brot (BISSACD 1801)
BWV 129 Gelobet sei der Herr, mein Gott (BISSACD 1801)
BWV 187 Es wartet alles auf dich (BISSACD 1801)

Vol. 46
BWV 17 Wer Dank opfert, der preiset mich (BISSACD 1851)
BWV 19 Es erhub sich ein Streit (BISSACD 1851)
BWV 45 Es ist dir gesagt, Mensch, was gut ist (BISSACD 1851)
BWV 102 Herr, deine Augen sehen nach dem Glauben (BISSACD 1851)

Vol. 47
BWV 27 Wer weiß, wie nahe mir mein Ende (BISSACD 1861)
BWV 36 Schwingt freudig euch empor (BISSACD 1861)
BWV 47 Wer sich selbst erhöhet, der soll erniedriget werden (BISSACD 1861)

Vol. 48
BWV 34 O ewiges Feuer, o Ursprung der Liebe (BISSACD 1881)
BWV 98 Was Gott tut, das ist wohlgetan (I) (BISSACD 1881)
BWV 117 Sei Lob und Ehr dem höchsten Gut (BISSACD 1881)
BWV 120 Gott, man lobet dich in der Stille zu Zion (BISSACD 1881)

Vol. 49
BWV 156 Ich steh mit einem Fuß im Grabe (BISSACD 1891)
BWV 159 Sehet, wir gehn hinauf... (BISSACD 1891)
BWV 171 Gott, wie dein Name... (BISSACD 1891)
BWV 188 Ich habe meine Zuversicht (BISSACD 1891)

Vol. 50
BWV 49 Ich geh und suche mit Verlangen (BISSACD 1941)
BWV 145 Ich lebe, mein Herze, zu deinem Ergötzen (BISSACD 1941)
BWV 149 Man singet mit Freuden vom Sieg (BISSACD 1941)
BWV 174 Ich liebe den Höchsten von ganzem Gemüte (BISSACD 1941)

Vol. 51
BWV 120a Herr Gott, Beherrscher aller Dinge (BISSACD 1961)
BWV 157 Ich lasse dich nicht, du segnest mich denn (BISSACD 1961)
BWV 192 Nun danket alle Gott (BISSACD 1961)
BWV 195 Dem Gerechten muss das Licht immer wieder aufgehen (BISSACD 1961)

Vol. 52
BWV 29 Wir danken dir, Gott, wir danken dir (BISSACD 1981)
BWV 112 Der Herr ist mein getreuer Hirt (BISSACD 1981)
BWV 140 Wachet auf, ruft uns die Stimme (BISSACD 1981)

Vol. 53
BWV 9 Es ist das Heil uns kommen her (BISSACD 1991)
BWV 97 In allen meinen Taten (BISSACD 1991)
BWV 177 Ich ruf zu dir, Herr Jesu Christ (BISSACD 1991)

Vol. 54
BWV 14 Wär Gott nicht mit uns diese Zeit (BISSACD 2021)
BWV 100 Was Gott tut, das ist wohlgetan (BISSACD 2021)
BWV 197 Gott ist unsre Zuversicht (BISSACD 2021)
BWV 197a Ehre sei Gott in der Höhe (fragment) (BISSACD 2021)

Vol. 55
BWV 30 Freue dich, erlöste Schar (BISSACD 2031)
BWV 69 Lobe den Herrn, meine Seele (BISSACD 2031)
BWV 191 Gloria in excelsis Deo (BISSACD 2031)